विस्तरेणात्मनो योगं विभूतिं च जनार्दन ।भूयः कथय तृप्तिर्हि शृण्वतो नास्ति मेऽमृतम् ॥
vistareṇātmano yogaṁ vibhūtiṁ ca janārdanabhūyaḥ kathaya tṛptirhi śṛṇvato nāsti me’mṛtam
In detail tell me of Thy Yoga and Vibhuti, O Janardana; and tell me ever more of it; it is nectar of immortality to me, and however much of it I hear, I am not satiated.
Compiled rendering · Anilbaran Roy
AI translation
Essays on the Gita
Arjuna, though he accepts the revelation of Vasudeva as all and though his heart is full of the delight of it,—for already he finds that it is delivering him from the perplexity and stumbling differentiations of his mind which was crying for a clue, a guiding truth amid the bewildering problems of a world of oppositions, and it is to his hearing the nectar of immortality, amṛtam,—yet feels the need of such supports and indices. He feels that they are indispensable to overcome the difficulty of a complete and firm realisation; for how else can this knowledge be made a thing of the heart and life? He requires guiding indications, asks Krishna even for a complete and detailed enumeration of the sovereign powers of his becoming and desires that nothing shall be left out of the vision, nothing remain to baffle him. “Thou shouldst tell me” he says “of thy divine self-manifestations in thy sovereign power of becoming, divyā ātma-vibhūtayaḥ, all without exception,—aśeṣeṇa, nothing omitted,—thy Vibhutis by which thou pervadest these worlds and peoples. How shall I know thee, O Yogin, by thinking of thee everywhere at all moments and in what pre-eminent becomings should I think of thee?” This Yoga by which thou art one with all and one in all and all are becomings of thy being, all are pervading or pre-eminent or disguised powers of thy nature, tell me of it, he cries, in its detail and extent, and tell me ever more of it; it is nectar of immortality to me, and however much of it I hear, I am not satiated. Here we get an indication in the Gita of something which the Gita itself does not bring out expressly, but which occurs frequently in the Upanishads and was developed later on by Vaishnavism and Shaktism in a greater intensity of vision, man’s possible joy of the Divine in the world-existence, the universal Ananda, the play of the Mother, the sweetness and beauty of God’s Lila.*
